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8 January 1836 – 25 June 1912. Most renowned painters.

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Daniel Orme
Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797

ID: 74330

Daniel Orme Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797
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Daniel Orme Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797


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Daniel Orme

British, 1766-1832  Related Paintings of Daniel Orme :. | Christ and the Lame | New Market Square in Dresden from the Jdenhof | Portrait of Maria Feodorovna (1759-1828), Tsarina of Russia | Syende fiskerpige | Portrait of a gentleman holding gloves,a view of a dutch town beyond |
Related Artists:
Nathulal Gordhan
1897-1936
Homer Watson
Canadian Painter, 1855-1936 Canadian painter. The son of a mill-owner, he was born in a region of rural southern Ontario, which he painted throughout his life. In 1874 he moved to Toronto to work at the Notman Photographic Studios; he also spent many hours copying paintings in the Toronto Normal School in order to improve his technique. In 1876 he visited New York, where he was impressed with the carefully composed paintings of the Hudson River school and the rural scenes of George Inness, who encouraged Watson to pursue his career. The following year he returned to Doon to work up his New York sketches into finished paintings. A work of this early period, Landscape with River (1878; Toronto, A.G. Ont.),
Paggi, Giovanni Battista
Italian Baroque Era Painter, 1554-1627 .Italian painter and theorist. As the son of a newly inscribed nobleman, he received a Renaissance gentleman's education, but as an artist he was it seems self-taught, despite the encouragement of Luca Cambiaso. The gentleman who then set up as a painter was obliged to give his work to patrons, sometimes expecting future remuneration; but when one patron reneged on payment in 1581, Paggi mortally wounded him and was banished from Genoa. He was given protection by Francesco I de' Medici, Grand Duke of Tuscany, and settled in Florence. A fresco of St Catherine Converting Two Criminals (1582), painted for Niccol? Gaddi's family chapel at S Maria Novella and thoroughly Florentine in manner, established Paggi's reputation at the Medici court. He painted ephemeral decorations, portraits (all untraced) and altarpieces for many Florentine churches and for the cathedrals of San Gimignano (c. 1590), Pistoia (1591-3) and Lucca (1597-8),






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